Choir Prodigy membership gives you unlimited access to our ever-growing library of thousands of pieces and vocal parts for one low monthly price. You know exactly how well you are doing because you see real-time feedback while you are singing, like a video game, but you learn real-world skills like breath control, music-reading, and building your voice. The Choir Prodigy mobile application delivers an interactive music instruction and practice experience for any singer anywhere, anytime.Get the free app as a part of your Choir Prodigy membership and you can instantly sing and practice thousands of songs, solos, choruses, warm ups and ear-training exercises - right on your iPad.If you are not a Choir Prodigy member, sign up for Choir Prodigy and start singing (more) beautifully with your iPad.How does Choir Prodigy work? Choir Prodigy is the only app that listens to you sing and coaches you, awarding points for singing correctly based on your pitch, timing, breath control, and vowel quality. And so, when it comes to why The Fat of the Land isn’t celebrated as a classic, maybe the answer is that The Prodigy simply never wanted to be part of anyone’s pantheon other than their own.Choir Prodigy is the patent-pending subscription service for learning to sing faster and more accurately than ever, using your iPad. And when the spotlight moved on, they were in no hurry to reclaim it (and had, if anything, added to their infamy with the 2002 single “Baby’s Got a Temper” and a chorus that “playfully” references date-rape drug Rohypnol). If the mainstream didn’t want The Prodigy, it appeared that the feeling was reciprocated. It was 2004: no room for The Prodigy among all of that new millennium positivity.” “I was talking to the head of Radio 1 at that time and he said they weren’t playing The Prodigy because they were too aggressive, too scary for the time. “It took Liam years to come with the follow-up, Always Outnumbered, Never Outgunned but the public didn’t take to it and the media pretty much ignored it,” says Martin James. Alison Goldfrapp interview: ‘I got letters saying that I was inciting bestiality’.How Gen Z fell for and reinvented quiet-loud indie rock.How Abba’s douze-points energy at Eurovision started a pop revolution.Nonetheless the feeling in 1997 was that The Prodigy should have known better. And fascist regalia was bang on-trend in the early years of punk, with Siouxsie Sioux and Sid Vicious among those flirting with Third Reich iconography. All the way back in 1966 The Rolling Stones’s Brian Jones went on stage in Munich in a Nazi uniform. Joy Division’s Ian Curtis shouted, “Have you all forgotten Rudolf Hess?” from the stage (and “Joy Division” was itself a reference to sex slavery in concentration camps). Bowie declared in 1976 Hitler was “one of the first rock stars”. They weren’t the first outlaw rockers to flirt with Nazi invective and imagery. “We have no butter, but I ask you, ‘Would you rather have butter or guns? Shall we import lard or steel?’ Let me tell you, preparedness makes us powerful. Incredibly, The Fat of the Land also came packaged with a quote (slightly altered) by Hitler henchman Hermann Goering. But how can I be sure? So, do I regret releasing a single on XL with the title ‘Smack My Bitch Up’? No. “Was any woman ever abused because of The Prodigy? My instinct is no. “Is it art? Yes, just about, and a great deal of art is not pleasant,” he wrote.
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